I always find it really interesting to learn about book covers that got away and the design process that goes into creating and selecting book covers. That's why I interviewed The F-It List's talented designer, April Ward! Below is the interview, and afterward is a selection of F-It List covers that didn't happen. I'm glad I don't have to design my own book covers. I have a feeling they'd all have something to do with cupcakes and Swedish Fish (of which I just ate both). Thank you, April, for the great interview and the gorgeous cover!
What is your job title, and what are your job responsibilities? How did you come to this position?
What is your job title, and what are your job responsibilities? How did you come to this position?
I am an Associate Art Director for Macmillan Children's Publishing
Group. I design children's books, chapter books, and young adult novels
for three imprints: Henry Holt, Feiwel & Friends, and Square Fish. I
moved to NY after high school and studied illustration
at Pratt Institute with a focus on children's publishing. I was taking
some design and type classes as well but I thought graphic designers
only worked on magazines and websites, which didn't interest me. My
junior year I had an internship with an amazingly
talented illustrator and designer, Kris Waldherr. At the time she was
designing her book
The Lover's Path which is an incredibly beautiful illustrated
novel. Watching her process of illustration and design made me see book
design in a totally different way. She also introduced me to some people
in the industry which helped me land my first
job as a design assistant at Harper Collins. I knew immediately that
designing books was a good fit for me.
What is your process for designing a
book cover? Do you always read the entire book first? Do you take notes
along the way? Do images come into your head as you read? How do you
take notes?
I like to read the entire book before designing it, though
sometimes if we need a rush cover I will have to start on comps before I
finish reading the whole book. I do read every book I design, I think
that's one of the best parts of my job. While I'm
reading I will write down little bits of the story that pop out to me
visually like atmospheres, character details, moments…then I do little
thumbnail drawings to get an idea of compositions that could work. Once I
start in on photo research the concepts will
change and morph into different directions based on what images are
available. I have a little sketchpad with the original thumbnail
drawings (now also covered in my daughter's scribbles) and I like to
look back at those when the book is printed. It's interesting
to see if an early concept stuck through to the final, or if the end
result is something totally different.
How many cover design options are expected of you?
I try to to come up with 5-7 initial concepts, sometimes more
depending on how many images I have that could work. Then based on
feedback from the creative director and editor I'll do some revisions
before presenting 2-3 covers at an art meeting.
Who has final say?
There are so many people involved in the process that I wouldn't
say there is one person with final say. The final cover is chosen by a
committee of sales, marketing, the editor, the publisher, the author,
and even big book store buyers. Everyone's opinion
holds weight and if one person has a negative reaction it generally
means the cover will be reworked or at least discussed again, even if
the comment comes after a point where the cover is considered final. We
have to be really flexible, which can be especially challenging when
you're attached to a design.
Did you ever design a cover that you
loved but everyone else hated? Has an author ever written to you and
told you they hated the cover?
I've definitely done covers
that I love that don't make it past the first round and you just have to
accept it and let it go. I've never had an author tell me that they
hate a cover, that would kill me.
Have
you ever had the opportunity to redesign a cover after the book has
been out? Say, for a paperback version of a book? Has the cover changed
completely, and, if so, why?
Yes this happens pretty
frequently, it's a good opportunity to rethink an existing concept or
try to make the hardcover jacket punchier with a new direction. If a
hardcover package is successful it doesn't necessarily need to be
redesigned in paperback
but I don't think it's a bad thing to give the book a new look for a
new format.
Are there any other questions you want me to ask you?
Sure! What was your daughter for Halloween?
A clown!
What are you doing this weekend?
Nothing!